Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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Nicolas Poussin
The Andrians Known as the Great Bacchanal with Woman Playing a Lute (mk05)

ID: 20477

Nicolas Poussin The Andrians Known as the Great Bacchanal with Woman Playing a Lute (mk05)
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Nicolas Poussin The Andrians Known as the Great Bacchanal with Woman Playing a Lute (mk05)


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Nicolas Poussin

French 1594-1665 Nicolas Poussin Galleries The finest collection of Poussin's paintings, in addition to his drawings, is located in the Louvre in Paris. Besides the pictures in the National Gallery and at Dulwich, England possesses several of his most considerable works: The Triumph of Pan is at Basildon House, near to Pangbourne, (Berkshire), and his great allegorical painting of the Arts at Knowsley. The later version of Tancred and Erminia is at the Barber Institute in Birmingham. At Rome, in the Colonna and Valentini Palaces, are notable works by him, and one of the private apartments of Prince Doria is decorated by a great series of landscapes in distemper. Throughout his life he stood aloof from the popular movement of his native school. French art in his day was purely decorative, but in Poussin we find a survival of the impulses of the Renaissance coupled with conscious reference to classic work as the standard of excellence. In general we see his paintings at a great disadvantage: for the color, even of the best preserved, has changed in parts, so that the harmony is disturbed; and the noble construction of his designs can be better seen in engravings than in the original. Among the many who have reproduced his works, Audran, Claudine Stella, Picart and Pesne are the most successful.  Related Paintings of Nicolas Poussin :. | Self Portrait (mk05) | Fokion funeral | Jupiter and Antiope or Venus and Satyr | Venus Presenting Arms to Aeneas | The Verz ckung of the Hl. Paulus in the third sky |
Related Artists:
Master of Frankfurt
Flemish Northern Renaissance Painter, 1460-ca.1533.South Netherlandish painter. He takes his name from two paintings commissioned by patrons from Frankfurt am Main. His chief importance lies in his continuing the great tradition of 15th-century Netherlandish painting (particularly the compositions of Rogier van der Weyden and Hugo van der Goes) well into the 16th century, his development of a markedly earthy figure type, his apparently innovative management of a large workshop that 'mass-produced' paintings for the open market and his status
Manohar
ca.mid-1560s-1620
Nicholas Dipre
French Painter, known ca.1495-1531






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